Sunday, March 20, 2005

On the Death of Trees in Zealand

Read an eBook Week is over for another year. Whew! It was a lot of work, but it was worth it. I think a few trees can breathe a sigh of relief in whatever way trees hang loose after the chain saw’s passed. Skippi started ebooks in Slovakia. Michael Hart started a Brief History of Project Gutenberg (with a foreword from yours truly). Cool Publications offered discounts on ebooks for the whole week. Cornelia Amiri presented live readings at the North Texas Iris Festival. Michael Allen gave Rats in the Slush Pile away free. Carrie Lynn Lyons reviewed The War Bug for the Writers and Readers Network. Time stopped in Zealand for the entire week.

In Fredericton, Joe Blades interviewed a character from an ebook on CHSR Radio. He also helped with posters and press releases for the events sponsored by the Fredericton Public Library. And thanks to Leslie and Roz from the library, who actually supplied us with an audience on the night of the readings when the town was hit with one of the worst snow storms of the year, virtually freezing traffic and the radio announced that the library was closed, virtually freezing attendance.

These things happen.

But a small group of die-hards risked the 50 odd feet of snow and minus 1500 odd degrees of temperature to join the Leslie/Roz supplemented crowd of ravenous reading goers. Security personnel had a hard time of it keeping the word-crazed crowd under control, but the evening ended with readings from Joe Blades, yours truly, Chris Owen, Nela Rio, and Kellie Underhill, all and every a closet e-writer, without a single death, maiming or groupie event. Though someone did set fire to Joe as he was reading.

Two nights later, crowd control at the library was out of control as thousands swarmed to the computer room to attend the virtual tour of the ebook world and the crash course on how to create, distributed and market your own ebook. The magnitude of bandwidth required for the event brought the Internet to its knees for .0005 nanoseconds, resulting .007 lost sales at Amazon.com and .03 missing commas in email spam from somebody selling miniature plastic penises for people with less than reasonable expectations. Three chatrooms blinked.

Yours truly presented the virtual tour and course. You can still view the guide at http://www.biffmitchell.com/eBook_Week/eBook_Lab/ebook_lab.html.

Among the attendees were George (who was also reading an ebook for Read an eBook Week), a character from an ebook (Cassie Mae Hayes from The War Bug), Joe Blades (who was immediately set on fire at the end of the evening), Karen (who I thought had been dead since she disappeared in Marrakech 30 years ago. In an email after the library event, she assured me that she was still alive.). Halfway through the event the door prize was awarded – a CD containing 12,000,000,000,000,000,001 books donated by Richard Seltzer from Samizdat Express.

Since then, attendees of the event have published 12,000,000,000,000.000.001 new ebooks – all of them, except one, laundromances. The one non-laundromance was a pictorial history of downtown Zealand. No words were used in the telling of the history. No pictorials were used. These elements will be introduced in next year’s Read an eBook Week.

Until then…make a tree happy…read an ebook.

Wednesday, March 16, 2005

Biff Mitchell Writes World’s First Laundromance

FOR IMMEDIATE RELEASE

Summary: Author Biff Mitchell’s novel, Heavy Load, may be the start of a new genre of fiction: the laundromance. Heavy Load, originally published in Australia, is now a self-published book available at eBookAd and CyberRead.

“Heavy Load was inspired by a laundromat,” said Mr. Mitchell. “It was inspired by all the hours I spent sitting around in a laundromat watching my clothing spinning around in the dryer. It’s the sort of thing that puts you in a reflective mood. I began to wonder what stories a laundromat would tell if it could talk.”

“From then on,” said Mr. Mitchell, “I began taking a notebook to the laundromat. I studied the other people doing their laundry and made detailed descriptions of them. I made guesses about their lives based on what I could see of their laundry. I listened to the sounds of the laundromat and tried to recreate them with words. I studied the floor, the walls, the ceiling, the machines…every inch of the building, and eventually filled four notebooks.”

On one of these occasions, Mr. Mitchell narrowly escaped a violent confrontation. “I was watching a very large and mean-looking man who was dumping his white and colored clothing into the same machine. I was half-tempted to warn him, but I was furiously making notes. He noticed me watching him and walked over to where I was sitting. He was about 30 pounds heavier than me. He asked me if I wanted a picture or a punch in the face. I told him neither. I was glad he didn’t notice that I was making notes. I’d just described him as one of the ugliest cusses I’d ever seen. I used him as a pervert in the novel.”

“For back stories,” said Mr. Mitchell, “I went to the notes I’d made while working as a bartender for six years. My customers would get drunk and tell me their stories. The drunker they were, the more detailed the stories, and the more personal. They told me things they would likely not even have told their dogs or cats. At the end of each night, I went home and made notes, thousands of pages of notes.”

“Heavy Load is based on observation and listening,” said Mr. Mitchell. “That’s what gives it the gritty, and sometimes seamy, feel that Deborah Fisher in Tregolwyn Reviews describes as ‘the unfashionable idea that ordinary, everyday life is worth observing’ in her review of the book.”

“I tried to create a window into ordinary life,” said Mr. Mitchell, “by studying ordinary people and not elevating their lives to some kind of literary plateau, but by just keeping things simple and everyday.”

Depicting everyday life is one of the six elements of a laundromance, according to Mr. Mitchell. “You can’t hide the stains and dirt on your laundry,” he said. “The laundromat sees it all, which leads us into the second element of a laundromance: it must be narrated by the laundromat.”

Heavy Load is in fact narrated by the Washing Green Laundromat, “the biggest, coolest, most-up-to-date, user-friendly, human/machine integrated, full service laundromat in town.”

“I used a sentient, mind and body-reading laundromat as the narrator,” said Mr. Mitchell, “because a laundromat is a place where people have to wait, a place where people think and daydream. The laundromat has plenty of time to delve into the lives of its customers. It’s the perfect storyteller.”

“And, of course, there must be an element of romance,” said Mr. Mitchell. “In Heavy Load, the romance is a triangle of interest between two men and a woman. They eye each other. They think about each other as the laundromat explores their past lives. They watch for opportunities with each other, but they never speak a word to each other. That would break the triangle and cut the story short. And that’s why one of the elements of a laundromat is that none of the romantically involved characters are allowed to speak to each other. Not a word.”

According to Mr. Mitchell, a laundromance must include at least one laundry tip. “But there’s plenty of tips in Heavy Load,” he said. “I spent hours cruising the Web for tips and information on laundry. I found some really cool stuff on the Tide site, and I found entire lists of laundry tips written by people who use laundromats. I even discovered the secret of the missing sock. It’s in the first chapter.”

The last element of a laundromance is the theme: “things get dirty, things get clean…”

“A laundromat is very much a place of regeneration,” said Mr. Mitchell. “People bring in dirty clothing and leave with clean clothing. There’s something optimistic and uplifting about having newly cleaned clothing, almost like having a new wardrobe, except that tags and pins have already been removed. There’s even a reflective and zen-like element inherent in the various cycles of washing and drying and the folding and sorting. It’s a calming experience. Then, you wear the clothing and it gets dirty again. Just like life, it’s an endless cycle of problems and solutions, balance and imbalance, action and inaction. That’s why I like the cover by Brock Parks so much. The Yin-Yang symbol in the machine cuts straight to the main theme of the book.”

Called a “creative masterpiece” by Cynthia Penn in WordWeaving, Heavy Load is a novel of optimism. “I believe in our ability to make ourselves better than we are, and to discover great nobility in even the most ordinary lives,” said Mr. Mitchell. “What better stage for this discovery than a laundromat?”

Heavy Load is available in ebook format at eBookAd (http://www.ebookad.com/eb.php3?ebookid=20070) and at CyberRead (http://cyberread.com/Shop/Details.php?product_id=5787).

Biff Mitchell is the author of the cyber thriller The War Bug, available from Double Dragon Publishing in ebook format and coming to bookstores this June in paperback. His satire on the IT industry, Team Player, will be published by Double Dragon in 2006. Two of his novellas, Smoke Break and The Baton, are available in ebook format from Echelon Press. For more about the works of Biff Mitchell visit: www.biffmitchell.com

Contact: Biff Mitchell biff@biffmitchell.com 506-455-3678